Julie Kent

Julie Kent as the lead role in Giselle (www.abt.org)

Julie Kent is an amazing dancer. She is a principal dancer at the American Ballet Theater. She has been dancing for almost her whole life. She has been in more than forty different roles in various productions. I think people do think of her as a hero or role model because she is a beautiful dancer. She dances so gracefully. People want to be like her because she is so wonderful.

"Julie Kent was born on July 11, 1969. She began her training with Hortensia Fonseca at the Academy of the Maryland Youth Ballet. She attended the School of American Ballet before joining American Ballet Theatre as an apprentice in 1985. In 1986, she was the only American to win a medal at the Prix de Lausanne International Ballet Competition, and she became a member of ABT's corps de ballet. She was chosen to be a soloist with ABT in 1990 and a Principal Dancer in 1993, the year in which she won the Erik Bruhn Prize in Toronto." She is married to Victor Barbee, Principal Dancer and Ballet Master at American Ballet Theatre. She has accomplished a lot in her life and will accomplish a lot more.

Julie Kent as Juliet in Romeo and Juliet (www.abt.org)

Here are all of her roles. Julie Kent’s roles with the American Ballet Company include the title role in "Anastasia, Terpsichore and Calliope in Apollo, Nikiya in La Bayadère, the third movement in Bruch Violin Concerto No. 1, the title role in Cinderella, Medora in Le Corsaire, the Lady with Him in Dim Lustre, Kitri and the Queen of the Driads in Don Quixote, Titania in The Dream, the Dying Swan, the second girl in Fancy Free, the Glove Seller in Gaîté Parisienne, Giselle in Giselle, Caroline in Jardin aux Lilas, Manon in Manon, Hanna Glawari in The Merry Widow, the Sugar Plum Fairy in The Nutcracker, Tatiana in Onegin, Desdemona in Othello, the pas de deux Other Dances, the pas de deux in Les Patineurs, Hagar in Pillar of Fire, the Siren in Prodigal Son, the Ranch Owner’s Daughter in Rodeo, Juliet in Romeo and Juliet, a Lover in Sin and Tonic, Princess Aurora, the Lilac Fairy, and Princess Florine in The Sleeping Beauty, the Sylph in La Sylphide, Odette-Odile in Swan Lake, the second movement in Symphony in C, the Prelude in Les Sylphides, Katherina in The Taming of the Shrew, the Tchaikovsky Pas de Deux, the Woman in Weren’t We Fools? and leading roles in Ballet Imperial, Drink To Me Only With Thine Eyes, Gong, The Leaves Are Fading, Meadow, Sinfonietta, “…smile with my heart”, Spring and Fall, Stepping Stones, Symphonie Concertante and Theme and Variations. She created Artemis in Artemis, Sibyl Vane in Dorian, His Memory and His Experiences in HereAfter and leading roles in Americans We, Baroque Game, The Brahms/Haydn Variations, Clear, Concerto No. 1 for Piano and Orchestra, Cruel World, Getting Closer, Known by Heart, Rigaudon, States of Grace, Within You Without You: A Tribute to George Harrison and Without Words." She can be in any role and dance it so beautifully. She has a sort of a power to take on any role and become that person.

Julie Kent as Black Swan in Swan Lake (the ballerina gallery.com)

Julie Kent is someone I look up to because all she does is what I would like to acomplish in my dancing career. She is a principal dancer at ABT. She has been dancing almost her whole life. Also, she has been in more than forty different roles. Anyone who has a love for dance can relate with me to why I look up to her.