Pre-Activity: The teacher should become familiar with the format and stories of Women’s Letters. They are arranged sequentially by date. Some letters lend themselves more easily to this project than others. Many of the letters become appropriate for use in light of the editor’s explanatory remarks.
1. Introduce… the MY HERO website to the class by projecting the website home page onto the screen. Read the essay by Charles Harper entitled, "How Should We Choose Our Heroes" in the MY HERO Forum. After navigating the site as a group, allow students to spend some time investigating these representations of heroes on their own. As a group, discuss the “prerequisites” for being considered a hero, using information from the website and their own personal experience to back up claims.
2. Discuss…what does legacy mean? How does what people do in the past impact the present? Have students give examples of legacy, leading into a discussion of how legacy can be physically visible or intangible. To help you get started, you may want to consider these hero essays on the MY HERO website:
Pearl S. Buck
Dorothea Lange
Oprah Winfrey
What are their legacies?
3. Explore…the book, Women’s Letters. Project stories on the screen if there are not enough copies of the book to allow for ample exploration. Pair up or make small groups of students and have them discuss how the letters illustrate heroism, and also how these letters are the writers’ legacies. Students must back up their opinions with specific details from the letters. Share thoughts as a whole group. Support debate! We may not all agree on who is truly heroic or why.
4. Challenge…students to research more about a hero from the MY HERO website or from Women’s Letters. Many of the women in the book appear on the website. Alternatively, students might want to interview and research a local community hero. At this point, teachers may want to form small groups, as ultimately at least two people will be needed to take on roles in the play (unless a student chooses to do a monologue or one-person play). Using their research notes, students will “become” that hero and write a letter to someone reflecting (not telling) her personality and motives. In other words, the reader should have to think a bit about the letter in order to make a statement or have an opinion about the person. For instance, on page 413 of Women’s Letters, in 1898, Annie Oakley, the skilled sharpshooter, offers her services and those of 50 women to President McKinley should America go to war with Spain. Her short letter exudes what Oakley is all about without blatantly expressing that she was brave, dedicated and tenacious.
One way to help students compose a credible letter is to have them read the letter on page 642 from an anonymous high school student to the NY Times. Discuss the tone of the letter, and then compare it to the tone of Janis Joplin’s letter on the next page. How do those tones help us get to know the writer? The letter the student writes should “come from the heart” and not simply be a statement of the hero’s actions. Obviously, lots of thought should go into choosing an appropriate recipient of the letter. If necessary, a prologue can be included (similar to the book’s editor’s comments that precede each letter) in order to set the scene.
5. Extend…by offering an optional challenge. Ask the students to respond to one of the letters in the book. This may require more research about the era in which the letter was written, as well as gathering info about the original recipient. Perhaps this response can be incorporated into their final script.
6. Finally…engage the students in the playwriting process (individually, in pairs or small groups). They need to brainstorm a storyline for a play or simple vignette based upon their hero’s letter and the knowledge they’ve gained from their research. Perhaps the plot of the play occurs as a result of the hero’s actions and/or thoughts that were described in the letter. The play should reflect the tone of the letter as well as the time period. The recipient and/or other characters may be included in the play. I have found that having students get in front of the class and act out the interactions between characters helps them generate the dialogue for their play.
7. Gather feedback…Students should ask peers to listen to their play and give feedback. After making revisions, the writing should be edited and given to the teacher for feedback. The final piece should be copied and handed out to all cast members for line memorization. Set a date for the performances and invite an audience to see “Women’s Letters & Legacies”.
8. Embellish…Other faculty members can be brought into the process to share their skills with the students. I often invited the technology, music, drama and art teachers to collaborate with me and work with my kids on projects like this. Adding music and props that are appropriate for the time will not only challenge the students, it will provide more in-depth study and understanding of that period of history. Students may also opt to make “playbills” or design a poster for their play…in the style of the era, of course!
9. Rehearse, then act!!!! Performance day is a celebration of new knowledge gained and shared with others. As each letter is read and each scene performed, students speak out about the power of one person. As Gandhi said, they become “the change they want to see happen,” a lesson they won’t forget. Filming the show provides a great debriefing resource. During the “wrap up” days after the performance, the class can view the film and critique it.
nas_k4
5a
Reflecting upon and assessing the characteristics and merits of their work and the work of others: Understand there are various purposes for creating works of visual art.
6b
Making connections between visual arts and other disciplines: Identify connections between the visual arts and other disciplines in the curriculum.
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3a
Choosing and evaluating a range of subject matter, symbols, and ideas: Reflect on how artworks differ visually, spatially, temporally, and functionally, and describe how these are related to history and culture.
5b
Reflecting upon and assessing the characteristics and merits of their work and the work of others: Describe meanings of artworks by analyzing how specific works are created and how they relate to historical and cultural context.
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2a
Communication and Collaboration: Interact, collaborate, and publish with peers, experts, or others employing a variety of digital environments and media.
3b
Research and Information Fluency: Locate, organize, analyze, evaluate, synthesize, and ethically use information from a variety of sources and media.
4c
Critical Thinking, Problem Solving, and Decision Making: Collect and analyze data to identify solutions and/or make informed decisions.
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2a
Using knowledge of structures and functions: Know the differences among visual characteristics and purposes of art in order to convey ideas.
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5a
Reflecting upon and assessing the characteristics and merits of their work and the work of others: Compare multiple purposes for creating works of art.
5b
Reflecting upon and assessing the characteristics and merits of their work and the work of others: Analyze contemporary and historic meanings in specific artworks through cultural and aesthetic inquiries.
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2b
Design and Develop Digital Age Learning Experiences and Assessments: Develop technology-enriched learning environments that enable all students to pursue their individual curiosities and become active participants in managing their own learning.
4a
Promote and Model Digital Citizenship and Responsibility: Advocate, model, and teach safe, legal, and ethical use of digital information and technology, including respect for copyright, intellectual property, and the appropriate documentation of sources.
4b
Promote and Model Digital Citizenship and Responsibility: Address the diverse needs of all learners by using learner-centered strategies providing equitable access to appropriate digital tools and resources.
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3c
Choosing and evaluating a range of subject matter, symbols, and ideas: Describe the origins of specific images and ideas and explain why they are of value in their artwork and in the work of other.
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5
Reading Informational Text 7, Grade 11-12. Integrate and evaluate multiple sources of information presented in different media or formats (e.g., visually, quantitatively) as well as in words in order to address a question or solve a problem.
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4
Presentation of Knowledge and Ideas 4. Present information, findings, and supporting evidence such that listeners can follow the line of reasoning and the organization, development, and style are appropriate to task, purpose, and audience.