In preparation for making your experimental short keep these simple guidelines in mind:

You are telling a STORY.

Whose story is it?

What happens? Be flexible with time and space with experimental film.

Where does the story take place? What unusual landscapes can you incorporate?

Why have you decided to tell this story? What is the importance of this hero story to you and to others?

The best place to begin your filmmaking process is with writing your SCRIPT.

Be CREATIVE.

Begin with your underlying INTENT.

Be creative with your storytelling (or unconventional).

Be poetic, expressive, or interpretative.

Be in touch with the feelings you are trying to convey.

STRUCTURE:

An experimental short still needs structure. It is important to plan your creative project using conventional storytelling techniques in unusual ways. You can combine establishing shots, scenes, montages, and subjective footage in a variety of ways to create an interesting story.

Experiment with your approach to these standard methods:

Establishing shots are usually wide exteriors of the location to establish where the story takes place.

Scenes are usually shot with actors interacting in a location. Some scenes have dialogue, some do not.

Montages are usually created by combining music and stills (or footage without dialogue) in sequences to help tell the story.

Subjective footage is "getting inside the character's head." There are many ways to be creative in expressing what a character is feeling, thinking or dreaming. Point of view (POV) shots with some sound effects and narration (voiceover) can create the effect of being in someone's head.